I like to be intimate and to craft bridges that span the personal to the political. My passion lies in constructing alternative narratives that amplify voices often marginalised or silenced. I am captivated by the transformative potential of blending autobiography with fiction.

I embrace elements of the camp style - artifice, frivolity, pretentiousness and shocking excess.  Born in the threshold of the new century, I integrate my pop-culture obsession into my works, drawing inspiration from icons like Britney Spears, Disney, Superheroes, Netflix and memes.

Referencing my music obsessions, personal experiences, family relationships, I challenge traditional dramaturgy, delving into the complexities of late-stage capitalism and societal norms.

I am particularly interested in researching how technology, social media, consumerism and the neoliberal ideologies infiltrate and shape the most private spaces of our lives.

Seeing that theatre often caters to the over-privileged few, I endeavor to create art and community environments infused with mainstream references, striving to make theatre more accessible and relevant to diverse audiences.